Season 2 Episode 6: If we are not careful, memories die…or are stolen

In this episode, edna bonhomme and Skye Tinevimbo Chirape discuss Decolonising Forensic Psychology, migration, and decolonial research practices especially as it relates to the United Kingdom, South Africa, and Zimbabwe.

Photo credit. fotobooth, Durban, South Africa.

Skye is a Forensic Psychology scholar and doctorate candidate at the University of Cape Town (UCT), South Africa. Her research, provisionally titled, ‘The Hare and the Baboon: Human (In)Security, migration and victimisation of African LGBT asylum seekers in the context of the UK asylum interview process investigates broader issues around structural violence and the ongoing conversation on the politics of migration and borders of gender and sexuality. It specifically centres African LGBT persons seeking asylum in the UK. Skye is also a part time lecturer (teaching post-graduate Political Psychology) and a member of, the hub for decolonial feminist Psychologies in Africa at UCT. Skye’s visual activism has continued to centre migration, gender & sexuality, trauma, structural violence, gendered violence and decolonial feminist psychology. In the recent years Skye’s academic and community work has focused on the conversation of trauma, decolonising work on trauma, healing / healing justice, collective healing and holding space within black LGBTIQ+ communities and movements. Skye’s MSc in Forensic research; “He was treated like a criminal”. Evaluating the impact of detention related trauma on LGBTI refugees, has been presented at universities in London, New York, Amsterdam and Berlin and, was published in 2018.  

In the past Skye has worked for the UK criminal justice system specialised in sexual offending and Intimate Partner Violence/ homicide. Often in collaborating with other artists and organisations, she has used visual art/ activism to examine geopolitical issues, drawing from personal/ lived experiences. Skye has curated exhibitions in London, taken part in the 10th Berlin Biennale performance, and participated in an exchange with the British artist Emma McGarry, at the Tate Modern gallery.  In 2018 Skye appeared on the cover of Diva Magazine; in 2014 on the cover of Complexd woman magazine and was nominated for a BEFFTA award in 2010. In 2014 Skye was identified as one of 15 British based womxn campaigners making changes in the world and was published in the book, Here We Stand: Women changing the world.

Left side: featuring Skye sitting down, a collaboration between Cloudy Moroni & Skye Skyetshookii, 2014.
Right side: a person lowering their knickers is from an exhibition that Skye co-curated with Priscillar Gurupira and the image belongs to a Zimbabwean artist, Nancy Mteki.


“He was treated like a criminal”: Evaluating the impact of detention related trauma on LGBTIQ refugees.

• Chirape, S. R. T. (2018). He was treated like a criminal”: Evaluating the impact of detention related trauma on LGBTI refugees In The Colour of Madness. Stirling Publishing edited by Linton, S. and Walcott, R. Skiddaw publishers.

• Chirape, S. R. T. (2015). Trauma: Not just for the victims, a review. Convenor: Lorraine Perry. Published in The Forensic Update No 119, 2015.

• Skyetshookii[1], S. (2017). Hidden in the open: An honorarium essay to

South African photographer, Zanele Muholi’s body of photographic work, Somnyama Ngonyama, Hail the Dark Lioness, catalogue edited by Renee Mussai. Autograph ABP, London.

• Chirape, S. R.T. (2014). The freedom of others, In Here we stand: Women changing the world. Edited by Helena Earnshaw and Angharad Penrhyn Jones. Honno, UK.

• Chirape, S. R.T. (2014). The ritual communication of (black queer) bodies in The Ladybeard magazine. The Sex issue. UK.

• Skyetshookii, S. (2014). Transgender day of Remembrance: An artist view. Published on the Commonwealth writers’ website.


Interview and editing by edna bonhomme

Assistance by Kristyna Comer
Music by MattiaGiovanetti (477877, Attribution License, Creative Commons), NALALIONGIRL (442612, Attribution License, Creative Commons), X3nus (450539, Attribution License, Creative Commons), zagi2 ( 265251, Attribution License, Creative Commons)

Season 1 Episode 8: Heritage Formation


Image photographed by edna bonhomme from the Apartheid Museum in Johannesburg, South Africa.


Dr. Duane Jethro is a post-doctoral research fellow working with the project Making Differences at the Centre for Anthropological Research on Museums and Heritage (CARMAH) Department of European Ethnology, Humboldt-Universität zu Berlin. CARMAH was established in the Department for European Ethnology at the Humboldt-Universität zu Berlin, in partnership with the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation, as part of the research award for Sharon Macdonald’s Alexander von Humboldt Professorship. His research looks at the mobilization of post-colonial and decolonial language in the context of contested street renaming, heritage commodification, as well as heritage aesthetics and social difference in Berlin.

Dr. Duane Jethro.

He is a graduate of the University of Utrecht. He is an Associate Research Fellow at the Archive and Public Culture Research Initiative at the University of Cape Town, where held a post-doctoral research fellowship in 2016.  In 2017 he was awarded a Georg Forster Alexander von Humboldt Post Doctoral Research Fellowship. His research focuses on the cultural construction of heritage and contested public cultures. He is a regular contributor to the online blog Africasacountry and has published in Material ReligionAfrican Diaspora and Tourist Studies and the International Journal of Heritage Studies. His book Heritage Formation and the Senses in Post-Apartheid South Africa is published by Bloomsbury Academic. The book references the pathbreaking, sensuous work of the historian and journalist Jacob Dlamini. See his book Native Nostalgiahere. It also frames South Africa’s fraught memory politics. 


A list of the organizations doing important black activist work in the Berlin, especially in regards to colonial legacies marked in street names and sites:

Africavenir –
Berlin Post-Kolonial – 
Each One Teach One –
Institute for Schwarze Menschen in Deutschland –


Interview by edna bonhomme and post-production by Kristyna Comer
Music by pryght one (27130, Sampling+ License), scotcampbell (263709, Creative Commons 0 License), X3nus (450539, Attribution License, Creative Commons)